While Sou-san did have legitimate business dealings, most of his wealth coming from being a smuggler (amongst other things) was not only a historically topical crime, but was made much more believable considering he was taken in by Rin's family and would have become familiar with how merchantry worked (at least, on a basic level).Īll things considered, how else would a commoner like himself have so much money at his young age without being from a noble or a ridiculously wealthy background like Shinobu or Akito? At first, I wasn't thrilled with Shigure being canonised as the main love interest, but now I'm fine with it.
Given the authors' use of foreshadowing, the moment the coversation about Souichirou being 'too good to be true' came up, I was pretty much counting down the minutes until Rin finds out about some unsavoury truth about Sou-san. In most otome games, they'd just handwave it has him 'working hard starting from the bottom' as though becoming a shipping magnate can merely happen from 'hard work' alone.īecoming THAT rich in just 10 years (he was in his mid-teens at oldest by the time Rin left Kiyosuya). There are many good examples, but for now, Souichirou's crazy-fast acquisition of wealth comes to mind. There were also a lot realistic aspects that you'd expect the average otome game to handwave or use some kind of painful contrivance to avert. Now I'm even be better equipped to gauge the accuracy of future Yoshiwara/Edo games. I only had basic knowledge about Yoshiwara history, but yeah, I found myself constantly checking various websites about the things that happened. So happy for them that the sales aspect also did well. It's clear that a lot of love and effort was made when creating Yoshiwara Higanbana. MariaCrown did an excellent job considering it's their first game. It's even better than most otome games in general. It was a breath of fresh air after the string of mostly bad~mediocre R18+ otome that have been coming out for a couple of years. Shinobu gets a special mention for being the sweetest and the most consensual. Shigure's at the bottom of my list, while Sakuya tops. I only wish the 'True End' wasn't on Shigure's route (or on anyone's route for that matter) neither of the choices brought happy endings. I occasionally look into the files to reread the script for easier access. The third person narrative was also refreshing. I'm not sure about accuracy, but the game has got me interested in oiran culture.
I'm very impressed with Maria Crown for doing so much and so well on its first title. The narrative, the sex, and even the music was amazing. ~ Thoughts on the 'True End?' ~ Did you like the writing style? ~ How accurately do you think the authors portrayed life in Yoshiwara? Good lord, this game brought me out of a terrible slump.
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I really hope MariaCrown makes another game, and I'm definitely keeping an eye on any future projects Hazuki Erika or Kazami Yui get involved in! Please feel free to discuss whatever you like, but if you're stuck on ideas: ~ Favourite/least favourite characters? ~ Favourite/least favourite routes/endings? Del amitri twisted rar download. I can totally see why some people are putting this game on the same level of quality as Koezaru wa Akai Hana and Chou no Doku Hana no Kusari. I think MariaCrown really delivered on the 'tragic' aspects and I felt that their portrayal of Yoshiwara was well-researched (I learned a lot). It's one of the best R18+ otome games I've ever played, for sure. If you love historical otome games, this is one good otome game and all the male characters in this game are super interesting. Yoshiwara Higanbana is the story of an oiran living in Tokyo’s pleasure quarters. Hey everyone, Anybody finished Yoshiwara Higanbana and keen to chat about it? I have recently, and I enjoyed it. NOTE: Since this discussion is intended for people who have completed the game, spoilers won't be hidden.
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